Skip to content

Noir Alley screens Stolen Face, spotlights Lizabeth Scott

moviesJun 28, 202647655

TCM's Noir Alley screened Stolen Face (1952), directed by Terence Fisher and starring Lizabeth Scott opposite Paul Henreid, and the showing prompted many viewers encountering the film for the first time. Commenters focused on the movie's Pygmalion-like plastic surgery plot and its doppelgänger or dual-identity setup that has Lizabeth Scott playing contrasting good-girl/bad-girl aspects of the same character. Several viewers called the film short and criticized the screenplay and convenient ending, while others praised Paul Henreid's efforts to elevate weak material. Fans noted production touches and genre hallmarks on display: an overbearing soundtrack, a train scene, dubious British accents, and a punch-up featuring a terrier; some connected the picture to Hammer's output and Terence Fisher's work. Discussion also highlighted Scott's husky, laryngitis-altered voice as a defining screen trait and her knack for improving material around her. The screening sparked fresh interest in the film among Noir Alley regulars and newcomers who debated the morality of the leads and whether the story satisfactorily resolves its identity and redemption themes.