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Nolan's The Odyssey rekindles demand for IMAX 70mm exhibition

moviesJul 21, 202649970

Christopher Nolan’s The Odyssey, shot entirely on IMAX 70mm with a newly invented camera, has driven intense demand that forced Los Angeles theaters to resurrect near‑lost 70mm film processing and projection workflows. When tickets first went on sale a year ago nearly every IMAX 70mm screening sold out instantly; a later ticket drop crashed the AMC Theatres app and underscored scarcity for a format that only 41 theaters worldwide can run. The Odyssey is playing in 25 U.S. theaters, eight in California, and FotoKem, described in reporting as the last motion picture lab still making 70mm prints, has been central to preparing prints. Veteran IMAX projectionist Taylor Umphenour is overseeing upgrades at local venues, including a three‑week construction of a new projection and sound booth at the historic Alex Theatre in Glendale so it could host the film as a first‑run release for the first time since Terminator 2 in 1991. Umphenour’s company Film Leader Co. is supervising restorations and technical operations across multiple houses, while Universal Cinema AMC at CityWalk Hollywood is one of the Los Angeles sites showing the format. The concentrated effort has revived specialist projection skills and physical lab work that most cinemas abandoned after the industry’s digital shift, producing both ticket scarcity and a short‑term renewal of exhibition infrastructure to meet Nolan’s analog specifications.

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