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Andy Serkis's Animal Farm adaptation criticized as defanged happy ending overhaul

moviesJul 16, 20261124,423

The Guardian blasts Andy Serkis and screenwriter Nicholas Stoller’s animated Animal Farm as a defanged, sugarcoated take that strips George Orwell’s Stalinism allegory of its rage and satire. The 94-minute film, which features Seth Rogen as Napoleon, Laverne Cox as Snowball and Glenn Close as a newly invented human agribusiness figure called Pilkington, shifts the pigs-humans parity moment to about the one-hour mark and then pivots into a Disney-style happy ending. Napoleon eliminates Snowball, colludes with Pilkington and addresses followers via a Big Brother, style screen before a motley band of young animal rebels torch the farm. The insurgents escape to a previously unseen stretch of water, solemnly resolve that they should not have trusted leaders including Napoleon and “or even Snowball for that matter,” and the film closes on that conciliatory note rather than Orwell’s bitter finale. The review also criticizes the animation’s cheap digital look and argues the new ending subtracts the book’s passion, satire and meaning.

Jessie Gender
@jessiegender.bsky.social

Increasingly, Serkis makes me feel like he’s making this movie for the toxic bros. Pro-AI, all-white cast, ignoring Tolkien’s real words for the vibes-based mythologizing of him; all shit toxic bros love. He also made the Animal Farm movie that completely missed the books anti-authoritarian point.

Variety tweet with a picture of Gollum from LOTR that reads - Andy Serkis gets asked why his "Lord of the Rings: The Hunt for Gollum" cast is all white actors and says: "I don’t think we will be doing a politically correct just-casting-for-the sake-of-casting-and-ticking-boxes version of the film."

“Tolkien himself was influenced a lot by Norse mythology, there’s a lot of that feeling. The Shire feels very, very much like a very, a very white, you know… They’re not very concerned about what goes on beyond the borders of The Shire, but they know they don’t want people coming in. Yes, there have been criticisms [about a lack of diversity]. This particular film is somewhat acknowledging that. But I don’t think we will be doing a politically correct just-casting-for-the sake-of-casting-and-ticking-boxes version of the film. So, it’s where relevant basically." (via BBC)

variety.com/2026/film/news…
84345d ago
Quoting this
Will Burrows 🖖🥖🥀45

Holy shit re: how much this Serkis quote gives the game away about what "white" means

Mao Mao!28

Really fascinating they're dedicated to anti-hyping this movie. Just committed to make the most rancid vibes possible.

Helm von Savigny19

Voy a aprovechar este post para contaros cosillas sobre Tolkien y su obra que a lo mejor no sabíais y que os permitirán concluir que Serkis no se ha preocupado de informarse sobre la opinión de Tolkien y se limita a utilizarlo como “argumento de autoridad” para justificar sus propios prejuicios.

Eric Ravenscraft13

there was a time i really looked up to this dude. and i don't think anyone who worked on LotR has done quite as much to torpedo my opinion of them

𖤐 Neesa 𖤐 team mystery11

Cool cool cool, I hate Andy Serkis now.

Emperor Norton6

Serkis's point about the Shire is particularly idiotic because The Scouring makes it clear how the isolationism of the hobbits made them easy prey for Saruman, and they are only able to defeat him because of the skills & leadership the fellowship four learned from their time in the outside world

András Forgács W5

It's also an odd interview to give the week Christopher Nolan's Odyssey opening

Ward Yke5

I feel the urge to point out that the Shire is based on ... Iceland. Iceland, that for many legal matters doesn't distinguish between residents and citizens. If you wanna justify keeping foreigners out of a place, then modeling it after Iceland of all places is a bold choice, to say the least

✨Zelly✨4

andy serkis make a good movie challenge: IMPOSSIBLE

You Call Yourself a Film Critic3

It's almost admirable for Serkis to go out of his way to make a film nobody wanted less appealing Bold strategy, Cotton, let's see how it plays out

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